———–<.thom.>———–
THE GREAT WORKS PROJECT
a puppet play in many parts
Season Two, Episode Twelve
an Epilogue
By Thomas Typewriter
(C) 2020 THOMAS TYPEWRITER
———–<:type:>———–
FADE IN TO BLACK
From the bottom of the screen scrolls up the following text: “02-12”. It moves upwards, pausing a moment in the center of the frame, then continues upward, exiting the frame at the top edge. Shortly thereafter, from the bottom center of the screen scrolls up the following text: “an epilogue”. It moves upwards, pausing a moment in the center of the frame, then continues upward, exiting the frame at the top edge.
FADE OUT
FADE IN
THE TYPEWRITER ABSTRACT PUPPET STAGE
We open this episode already focusing on the TYPEWRITER ABSTRACT PUPPET STAGE.
THE CAMERA FRAMES THE MID-STAGE AREA
MID-STAGE: THOMAS TYPEWRITER’S APARTMENT’S KITCHEN
On stage-right, sits a refrigerator, with a few houseplants on top. Center-stage sits a stove, with two pans on top, next to a counter top and sink. On stage-left sits THOMAS TYPEWRITER at his small kitchen table, with a plate of pasta and a plate of salad. He spins a small jewelry box, lost in thought.
CUT TO A XCS OF THE JEWELRY BOX SPINNING
The Mid-stage Curtains close on the shot of the jewelry box.
TRANSITION FROM THE TYPEWRITER ABSTRACT PUPPET STAGE TO THE UNROOM.
THE CAMERA PULLS OUTWARD, PANNING FROM THE TYPEWRITER ABSTRACT PUPPET STAGE TO THE UNROOM NOT.SEVEN
INT. UNROOM NOT.SEVEN
PAN OUT FROM THE MID-STAGE TO THE OUTER ONE’S POV.
The OUTER ONE sits on one of many carpet squares arranged around a wooden disc in the center of the Unroom Not.Seven. The carpet squares spread out like chairs in an auditorium. The wooden disc, the focus of the Outer One’s attention, sits with the Typewriter Abstract Puppet Stage standing center. Unseen lamps above it illuminate, though not for long. Once the Mid-stage curtains close the unseen lamps turn off. The Typewriter Abstract Puppet Stage disappears, leaving the wooden disc empty.
POV OF THE OUTER ONE WATCHING THE STAGE
The Outer One tries to stay focused, but his/her attention starts to waver.
POV OF THE OUTER ONE LOOKING AROUND THE ROOM TAKING IN THE SPINDLY METALLIC LAMPS, THEIR SNAKING CORDS, THE DISTANT WALLS, AND THE DISTANT CEILING WITH ITS ANGULAR CHANDELIERS.
The sound of TYPEWRITER KEYS CLICK CLACKING drifts in from off-screen.
POV OF OUTER ONE RAPIDLY LOOKING BACK TO THE WOODEN DISC.
Unseen lamps over the wooden disc flicker to life, taking two or three attempts to light before projecting at full illumination. The new light reveals the return of the Typewriter Abstract Puppet Stage.
TRANSITION FROM THE UNROOM TO THE TYPEWRITER ABSTRACT PUPPET STAGE.
PAN IN TOWARDS THE MID-STAGE AREA OF THE TYPEWRITER ABSTRACT PUPPET STAGE.
As the camera nears the Mid-stage, the Mid-stage curtains part revealing an empty stage. The Curtain of Clouds is fully visible, no longer obscured by any of the Mid-stage sets.
TRANSITION FROM MID-STAGE TO BACK-STAGE
THE CAMERA CONTINUES PANNING IN, ENTERING THE MID-STAGE AREA
The Curtain of Clouds parts revealing…
THE CAMERA CONTINUES PAST THE OPEN CURTAIN OF CLOUDS, STOPPING WHEN PROPERLY FRAMING THE SPACE BEHIND
THE BACK-STAGE: THE CONCURRENT DISTANCES
The back-stage is an empty black field. No illumination. No decoration. No sets. DREAM-BUBBLES, with their soft glow, float down from the stage-top and across the stage. Into this peaceful scene from stage-right, runs THE MAIDEN. Pursuing her is a YUCK-BUBBLE, specifically the Dream-bubble she accidentally injured in Season 02, Episode 0. As it pursues her it bumps into the Dream bubbles. Each Dream-bubble touched by the Yuck-bubble shakes and changes. Their inner illumination darkens to a sickly yellow-green and their sides dent becoming Yuck-bubbles. They join in the pursuit of the Maiden.
They chase her off-stage stage-left. She shortly re-emerges followed by the flock of Yuck-bubbles. She flees off-stage stage-right this time. After a brief pause the Maiden and her pursuers re-enter stage-right. She reaches mid-stage and trips. Scraping her knee, she softly sobs.The Yuck-bubbles stop, confused by her tears. Cautiously, they approach. The Maiden calms down and wipes her eyes. She looks at the Yuck-bubbles. Truly looks, as if seeing them for the first time.
THE MAIDEN
(to the first Yuck-bubble) “You know what it’s like to be hurt don’t you?”
The first Yuck-bubble flickers and nods yes.
THE MAIDEN
“It was me wasn’t it. I hurt you. Didn’t mean to, but did.”
The first Yuck-bubble flickers and nods yes again.
THE MAIDEN
“I’m sorry. You were so beautiful and I wanted to look at you. I didn’t mean to hurt you. I hope you can forgive me.”
She moves closer and lightly kisses the first Yuck-bubble. It shudders and then it changes color back to the original Dream-bubble color. The other Yuck-bubbles then start shudder and change color. The healed flock surround the Maiden before flying off. When they move away we see the Maiden has been replaced by THE MOTHER. She watches the dream bubbles float away absentmindedly rubbing her belly.
The Curtain of Clouds closes on the Back-Stage.
TRANSITION FROM THE BACK-STAGE TO THE MID-STAGE
THE CAMERA PANS OUT. PAST THE CURTAIN OF CLOUDS AND PAST THE MID-STAGE CURTAINS
MID-STAGE: EMPTY STAGE
The Mid-stage curtains close.
TRANSITION FROM MID-STAGE TO THE UNROOM
INT. UNROOM NOT.SEVEN
THE CAMERA CONTINUES TO PAN OUT RETURNING TO THE POV OF THE OUTER ONE.
The unseen lamps illuminating the Typewriter Abstract Puppet Stage turn off. It disappears from the disc leaving it empty. The Unroom returns to dimness.
POV OF THE OUTER ONE LOOKING AT THE STAGE, REALIZING THE SHOW IS OVER, AND THEN LOOKING DOWN AND TO THE SIDE.
Sitting on the carpet square next to him/her, the Outer One sees a book. An elaborately simple book with the following written across the cover:
———–<.thom.>———–
THE GREAT WORKS PROJECT
a puppet play in many parts
the complete and the all scripts
By Thomas Typewriter
(c) xyz thomas typewriter
———–<:type:>———–
The Outer One’s hand reaches out and picks up the book. They examines the cover, running his/her hand across the cover and spine as the episode ends.
FADE OUT