———–<.thom.>———–
THE GREAT WORKS PROJECT
a puppet play in many parts
Season 07, Episode 07
an intermission
By Thomas Typewriter
(c) 2026 Jason Arcand
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FADE IN TO BLACK
From the bottom of the screen scrolls up the following text: “07-07”. It moves upwards, pausing a moment in the center of the frame, then continues upward, exiting the frame at the top edge. Immediately following that text’s exit, up scrolls “an intermission” from the bottom of the frame. It scrolls upward pausing in the center of the frame before continuing up and out of the top of the frame.
FADE OUT
FADE IN
INT. BIFFOLLOMEW’S PLAYROOM, AFTERNOON
A large playroom done in a minimalist style. A closet with folding doors sits in the center of the room. Bookshelves filled with toys and books line the angled walls jutting off from the closet. On one shelf of toys sits a stuffed toy of the villainous Logical Fallacy. It is a simple stuffed-sock toy wearing a fedora hat. It has a fake mustache and chest-plate made from paper taped onto it. The chest-plate has the letters L and F written in marker on it. A small couch sits off to one side. Natural light from a window out of frame behind the couch illuminates the room. BIFFOLLOMEW THE RABBIT, a young boy with a cape made from a blanket tied around his neck, runs in from stage-left.
BIFFOLLOMEW THE RABBIT
“Quickly Headcheese, we must use our psychic powers to scan the city for trouble.”
BIFFOLLOMEW hops onto the couch and starts bouncing up and down. He scans around the room. ROCKFORD THE PET ROCK enters from Stage-left. He rolls across the room and jumps onto the small couch.
ROCKFORD THE PET ROCK
“Over there by the water tower Mindgames!”
BIFFOLLOMEW THE RABBIT
(looks towards one of the bookshelves with the Logical Fallacy toy) “I see him.”
INSERT CLOSE-SHOT OF THE TOY
BIFFOLLOMEW THE RABBIT
(voice-over) “Our old nemesis Logical Fallacy.”
CUT BACK
BIFFOLLOMEW THE RABBIT
“Oh-no. He is attempting to poison the city’s water supply with Conspiracy Juice!”
ROCKFORD THE PET ROCK
“That criminal!”
BIFFOLLOMEW THE RABBIT
“Should we crimefight?”
ROCKFORD THE PET ROCK
“Oh, we absolutely should.”
BIFFOLLOMEW leaps of the couch.
BIFFOLLOMEW THE RABBIT
(shouting) “CRIMEFIGHT!”
Rockford the Pet Rock leaps off the couch.
ROCKFORD THE PET ROCK
“Crimefight!”
They run towards the toy.
BIFFOLLOMEW THE RABBIT
“Cease and desist Logical Fallacy or we will be forced to use our psychic powers to teach you to mind your manners.”
A SOFT CHIMING TONE rings out. The digital voice of the Butler speaks.
BUTLER
(voice-over) “Reminder, the next episode of The Babysitter Tales is starting.”
BIFFOLLOMEW and Rockford stop. Look at each other and smile, making excited yes gestures.
BIFFOLLOMEW THE RABBIT
“Butler, please cancel the current reminder.”
The chiming tone ends.
BIFFOLLOMEW THE RABBIT
“Butler, please set the room to TV mode.”
The closet doors open revealing a small television. It turns on to station 78. BIFFOLLOMEW and Rockford approach the TV. They pull out soft squares of grey padded carpet from a bin under the TV and sit down. The title sequence of The Babysitter Tales starts to play on the TV.
PAN IN ON THE TELEVISION SCREEN
TRANSITION FROM THE PLAYROOM TO THE BABYSITTER TALES TV SHOW.
On the TV screen the last bit of The Babysitter Tales opening sequence plays. The sequence ends and transitions to an establishing shot of a model of Gloomarella’s house.
SHIFT FROM LOOKING AT IMAGE ON TV SCREEN TO BEING “LIVE” IN THE SHOW.
LS OF GLOOMARELLA’S HOUSE
CUT TO…
INT. GLOOMARELLA’S KITCHEN, MORNING
GLOOMARELLA THE DOOMWITCH enters the room from stage-left. She has just woken up and is not very alert. She wanders over to the counter by the sink. She pulls down a coffee cup, fills it with coffee from the coffee maker, and leans against the counter. She takes a slow sip and smiles. She finishes the coffee and rinses it out in the sink. Then she looks around as if something is wrong, noticing that the sink is empty. All the dishes are clean. She then looks around the kitchen and notices it is clean.
GLOOMARELLA THE DOOMWITCH
“Where is the grime? Where are the spider-webs? Everything looks shiny and new. Who cleaned this place?”
Then she notices the doom baby in his high chair eating breakfast peacefully.
GLOOMARELLA THE DOOMWITCH
“What are you doing up?”
SMILES GOODSON enters from stage-right carrying a bouquet of flowers. He walks over to put them in a vase near the sink.
SMILES GOODMAN
“Oh good, you’re up. I’ll make you some eggs.”
She grabs a pan and hits him in the head. He spins, falls and hits his neck on the counter with a loud CRACK. He goes limp as the life suddenly leaves his body. There is A RESET NOISE accompanied by a flash of light. Smiles hops right back up.
SMILES GOODMAN
“Well aren’t you a lively one in the morning.”
The Doomwitch screams again and shoots him with lightning. He flies out of the room. The RESET NOISE and flash of light occurs off-camera. Smiles Goodson walks back into the room.
SMILES GOODMAN
“Who wants toast? I have an excellent sourdough cooling on the counter. I had to get up early to make it but I know just one bite and you will agree it was worth the effort.”
He walks to Gloomrella and gently places his hand on her, guiding her. They walk over to the table where he sits her down.
SMILES GOODMAN
“You’re going to love this bread. It is an old family recipe, made with a special ingredient.”
Smiles leans into whisper a secret to Gloomrella.
SMILES GOODMAN
(whisper) “I am not suppose to tell, but since we are such good friends, it’s (pauses to look left and right then whispers even softer) love.”
Smiles whistles and gets out the bread.
GLOOMRELLA THE DOOMWITCH
(to self) “What is going on.”
Smiles slices the bread and plates up one slice. He hands it to her. She takes the plate and tries the bread.
GLOOMARELLA THE DOOMWITCH
“Wow, this is really good. Normally, I hate love, but I can’t complain about this.”
SMILES GOODSON
“Why, thank you.”
Rod Pocalypse reaches for Gloomrella’s slice.
ROD POCALYPSE
“Gimme! Gimme!”
SMILES GOODSON
“Now, how do we ask?”
ROD POCALYPSE
“Please?”
Smiles goes and gets Rod a slice. Gloomarella the Doomwitch chokes on the bread.
GLOOMARELLA THE DOOMWITCH
“Did he just say please?”
SMILES GOODSON
“Yes. I taught him that this morning before you got up. I find there is always time to be polite.”
GLOOMARELLA THE DOOMWITCH
“So you taught this baby, the doombaby, he who is the key fated to release those trapped beyond form and shape ushering in a thousand years of darkness where the screams of the tortured will form the new landscape. The instrument of the apocalypse. You taught him manners?”
The baby gets the bread, and Smiles rubs his head.
SMILES GOODSON
“It was not easy, let me tell you, but I just reminded myself that anything worth doing is worth a little extra effort.”
GLOOMARELLA THE DOOMWITCH
“This will not do.”
Gloomarella shoots a lightning bolt at Smiles, knocking him out of the room.
GLOOMARELLA THE DOOMWITCH
“This will not do at all.”
CUT TO AD-BREAK
The ad-break still fills the screen.
GLOOMARELLA
(voice-over) “We’ll be right back after this short break. Change the channel and I’ll curse your soul!”
PAN OUT FROM THE AD-BREAK CARD
TRANSITION FROM INSIDE THE TV SHOW TO THE PLAYROOM
THE CAMERA SHIMMERS AS IT PANS OUT FROM THE TV SHOW. PAN BACK BEHIND BIFFOLLOMEW AND ROCKFORD.
INT. BIFFOLLOMEW’S PLAYROOM, DAYTIME
BIFFOLLOMEW THE RABBIT AND ROCKFORD THE PET ROCK sit infront of the TV cabinet in the closet watching the commercials. An ad for Star Families brand Seed Rolls plays on the screen. BIFFOLLOMEW looks to the side and sighs. He stands and walks off screen. After a moment Rockford notices he is missing.
ROCKFORD THE PET ROCK
“Are you going to finish watching this?”
CUT TO SHOT OF BIFFTHOLOMEW
BIFFOLLOMEW sits by the window looking outside.
BIFFOLLOMEW THE RABBIT
“I was just thinking, it is such a nice day.”
CUT BACK TO SHOT OF ROCKFORD
ROCKFORD THE PET ROCK
“You want to go outside.”
CUT BACK TO SHOT OF BIFFOLLOMEW
BIFFOLLOMEW THE RABBIT
“Yeah. I don’t know what it is, but I want to be outside. Feel some sun on my fur.”
Rockford enters comes over next to BIFFOLLOMEW.
ROCKFORD THE PET ROCK
“That sounds great. Let’s do it.”
BIFFOLLOMEW THE RABBIT
“Really.”
ROCKFORD THE PET ROCK
“Really.”
BIFFOLLOMEW hugs up Rockford and squeezes him.
BIFFOLLOMEW THE RABBIT
“Thanks.”
He sets down Rockford.
BIFFOLLOMEW THE RABBIT
“Butler, turn off the playroom television.”
The Butler chimes off-screen and the television shuts off. Biffollomew and Rockford walk off frame.
PAN TO WINDOW.
A gentle breeze blows through the grassy backyard. Sunshine beams down on the yard. A butterfly drifts from flower to flower. From the edge of the window frame, Biffollomew and Rockford come running into view. Rockford chases after Biffollomew, who laughs and jumps. Every time Rockford gets close, he leaps to the side and rolls. After the fourth roll across the grass, Biffollomew unfurls onto his back. He giggles looking up at the clouds. Rockford catches up to him and jumps on his chest. Biffollomew grunts and pulls Rockford into a hug.
TRANSITION FROM BIFFOLLOMEW’S BEDROOM TO THE ALEXANDRIAN LIBRARY
DISSOLVE FROM THE BACKYARD TO THE CURTAIN OF CLOUDS OF THE TYPEWRITER ABSTRACT PUPPET STAGE
JOIN THE CAMERA IN THE MIDST OF PANNING DOWN THE CURTAIN OF CLOUDS. IT SLIDES DOWN AND DOWN FURTHER, STARTING AT A BREAKNECK PACE AND SLOWING. SOON THE TOPS OF THE MID-STAGE SETS PEAK UP FROM THE BOTTOM OF THE FRAME. THE CAMERA CONTINUES PANNING DOWN UNTIL PROPERLY FRAMING THE MID-STAGE
MID-STAGE: INT. ALEXANDRIAN LIBRARY SECOND FLOOR MAIN ROOM, MORNING
The stage is divided into two sections. On stage-right sits a table with a series of platforms on it. A sign reading “New Releases” sits on a sign post in the center of the table. Various books stand arraigned around the table. The other side of the stage contains a portion of the bookcases for the Adult Fiction section.
THOMAS TYPEWRITER
(Off-stage) “Guess time to get home. Not that I have anything to do once I get there.”
THOMAS TYPEWRITER emerges from behind the bookcase. He strolls across the stage. As he passes the new releases table, something catches his eye. He stops and picks up “Runaways from Randomness” by Jonathan J. Wheelwright
THOMAS TYPEWRITER
“A sequel to that Latchkey kids? Interesting. Maybe I don’t have to rush home just yet.”
Thomas picks up the book and exits stage-right. The Mid-stage lights turn off to the sound of A LIGHTSWITCH CLICKING OFF. The Mid-Stage curtains close.
FADE OUT
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Thomas Typewriter 
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