Up Late, Late at Night!: Season One, Episode One, Act Two script

scripts, Uncategorized, Up Late, Late at Night

———–<.thom & ophi.>———–

UP LATE, LATE AT NIGHT!

Season 01, Episode 01

(Act 2)

By Thomas Typewriter & Ophidia Operahouse-Typewriter

(c) 2020

———–<:type & opera:>———–

ACT II

FADE IN

INT. COP CAR. DAYTIME

MS OF INTERIOR OF A POLICE CAR.

D-COP, D-Vid dressed as a cop, sits behind the wheel driving, while B-COP, B-Max also dressed as a cop, sits in the passenger seat.

B-COP
“So then I wrestled that raccoon for the last pastry.”

D-COP
“Uh huh. Wait. Check out this turkey.”

B-COP
“Pull over.”

CUT TO

EXT. STREETER STREET. DAYTIME

MS OF GIBLETS

GIBLETS, a puppet made from a kid’s school project of turkey drawing made from tracing his/her hand, is walking down the street. He does need to have an old guitar strung across his back. We hear the sound of CAR DOORS SLAMMING SHUT.

PAN OUT TO LS SO AS TO INCLUDE GIBLETS ON RIGHT AND POLICE CAR ON RIGHT.

D-Cop sits on the hood of the police car while B-Cop approaches Giblets.

GIBLETS
“Hello Officers.”

B-COP
“What do you think your doing walking down this street.”

GIBLETS
“Just soaking up the sunshine and the positive vibes.”

B-COP
“Are you getting smart. We’ll see about that.”

B-Cop grabs the guitar from off Giblets.

B-COP
“What you doing with this old guitar.”

GIBLETS
“Old guitar? Why’d you call it an old guitar?”

CUT TO CS OF D-COP

D-COP
“Maybe he’s smuggling stuffing.”

CUT BACK

B-COP
“You smuggling stuffing.”

GIBLETS
“Oh my gosh, it is an old guitar. It was new when I bought it. Has it been that long. No home. No wife. No kids.”

B-COP
“Wait.”

GIBLETS
“My youth, my time, I’ve squandered it. And what do I have to show for it.”
A spotlight clicks down on Giblets. The rest of the stage lighting dims

B-COP
(off-camera)”What’s going on.”

GIBLETS
“I could’a been a contender, I could of had love, could of had her…but who was looking out for me. Was it my brother. Was it her. STELLA! STELLA! STELLA!”

A loud THUNK and Giblets passes out. The stage lighting reverts back. D-Cop stands over an unconscious Giblets, with a police baton in hand.

D-COP
(to B-Cop) “And that is how you stop a turkey who’s had some bad gravy.”

The POLICE RADIO SQUAWKS. D-Cop walks over to the car and answers it. Meanwhile B-Cop drags the unconscious Giblets over to the car. D-Cop leans opens the driver door and leans in to answer the phone. B-Cop opens the rear passenger door and tries to tip Giblets inside.

D-COP
“Car 54 1/2 here. Over”

POLICE RADIO
(voice-over) “Sorry to spring this on you, but Judge Dee is not able to teach the driver’s education class. You’ve been reassigned. Report to Local College tonight. 6pm. Over”

D-COP
“Roger. We’ll be there. Over”

D-Cop hangs up the radio

D-COP
(dancing) “Yes. Yes.”

B-Cop slams the car door shut.

B-COP
“Why are you so happy?”

D-COP
“We’ve been reassigned to teach Judge Dee’s driver’s course.”

B-COP
“Ughhh, those classes are a pain, filled with weirdos. What’s so great about that.”

D-COP
“Guess you could say I have a case of puppy love… for the class. Puppy love for the class.”

B-COP
“Whatever.”

They get into the car.

CUT TO MS OF CAR INTERIOR

D-COP
“Oh, can we stop at the pet store. My doctor recommended I eat more dog food.”

B-COP
“What. You sure he’s a doctor cause that does not sound like something a doctor would say.”

D-COP
“Well he did have a stethoscope and accepted my insurance.”

B-COP
“Whatever. Lets just get going. This day just keeps getting worse.”

D-COP
“Oh, don’t be sad. I’ll share some of the dog food with you.”

FADE OUT

Up Late, Late At Night: Season One, Episode One, Act I script

scripts, Uncategorized, Up Late, Late at Night

———–<.thom & ophi.>———–

UP LATE, LATE AT NIGHT!

Season 01, Episode 01

(Act 1)

By Thomas Typewriter & Ophidia Operahouse-Typewriter

(c) 2020

———–<:type & opera:>———–

ACT I

FADE IN

EXT. THE TRASHIPELIGO ISLANDS,  EVENING

LS OF A MODEL OF THE ISLAND. A RADIO TOWER OVER ON ONE END OF THE ISLAND BLINKS AND WE HEAR THE TRANSMISSION BEEPY-BEEPY-BEEP.

T-RASH THE TRASH GOD
“Broadcasting from the hidden heart of Mout Trashuvius of the Trashipeligo Islands, this is UP LATE, LATE AT NIGHT!”

CUT TO…

Title sequence plays

CUT TO…

INT. THE TRASH HOLE. NIGHT

A large cavern in the base of the Trashipeligo Island’s dormant volcano, Mount Trashuvius, the large abstract mask-like face of T-RASH THE TRASH GOD floats over a smoking pool of sludge and magma. Surrounding him are piles of trash.

PAN IN TO CS OF T-RASH

T-RASH THE TRASH GOD
“I am the T-Rash the God of Trash your host and guiding star. No more do you need to worry about the quest for new and better. New is an illusion and I am here to pierce the veil clouding your vision. Join us and rejoice for everything is trash. Broken, discarded, subject to the whims of entropy. Make trash from trash is what I say. Now let’s get the show underway. Acolytes to me!”

CUT TO LS OF TRASH HOLE.

D-VID and B_MAX enter. D-VID rushes in from stage-right holding a DVD case. B-MAX hurries in from stage-left carrying a VHS cassette tape.

CUT TO CS OF D-VID

D-VID
“Here my lord of lost.”

CUT TO CS OF B-MAX

B-MAX
“Here your clutterness”

CUT BACK TO LS OF TRASH HOLE

T-RASH THE TRASH GOD
“Good. Good. Now what offerings have you brought that our viewers may experience the full vision of my divine artistry. The trashier the better.”

D-VID
“Guess I’ll go first.”

CUT TO CS OF D-VID

D-VID
“Well, I found this copy of Lost and Found in a gull nest. The description on the back is too faded to read but the tagline is “One of these dogs must be Spade.””

T-RASH THE TRASH GOD
“Ohhh..that sounds like trash.”

D-VID
“And it has a picture of a man taking a bath with a dog.”

T-RASH THE TRASH GOD
“Perfect…I deem your offering worthy of being unworthy.”

CUT BACK TO LS

D-VID throws the DVD into the Trash God’s mouth. His lights glow brighter and in a different color.

T-RASH THE TRASH GOD
“And you, other one, what did you bring me in offering.”

CS OF B-MAX

B-MAX
“O’ mighty Trash God I scaled the heights of the Hill of Abandonned Sofas to pry from the deep reaches of its crevices this uterly unmint copy of Moving Violations.”

CUT TO CS OF TRASH GOD

THE TRASH GOD
“The Kay Lenz film! I’ve been looking for a copy of that forever.”

CUT TO CS OF B-MAX

B-MAX
“Uhhh, no. This is Moving Violations. Violations with an S. The 1985 film”

CUT TO MS OF T-RASH THE TRASH GOD AND B-MAX

T-RASH THE TRASH GOD
“I don’t know? Is it trash?”

B-MAX
“Well it says its from the creators of Police Academy.”

T-RASH THE TRASH GOD
“That’s all I need to know. Trash! Your offering pleases me.”

B-Max throws the cassette into the Trash God’s mouth.

PAN OUT TO LS OF THE TRASH HOLE

T-Rash the Trash God’s internal lights change color again and smoke starts to pour from his mouth filling the lair.

THE TRASH GOD
“Your offerings please me, so now let my divine smoke wash over you and guide you and our audience to a vision most horrible, most garbage.”
The smoke fills the room as B-Max and D-Vid start to cough.

B-MAX
“Smells like burning tires.”

THE TRASH GOD
“That’s how you know it is working. Now hush and pass out so we can get on with things.”

B-Max and D-Vid pass out.

PAN IN INTO THE SMOKE.

The white smoke fills the frame as a JANGLY SOUND OF BELLS AND OLD CAR HORNS flutters across.

TRANSITION FROM THE TRASH HOLE TO THE VISION

FADE TO WHITE