new script: “The Great Works Project: Season Four, Episode Five” by Thomas Typewriter

scripts, The Great Works Project scripts

———–<.thom.>———–

THE GREAT WORKS PROJECT

a puppet play in many parts

Season 04, Episode 05

By Thomas Typewriter

(c) 2022 thomas typewriter

———–<:type:>———–

FADE IN TO BLACK


From the bottom center of the screen scrolls up the following text: “04-05”. It continues upward, pausing briefly in the center then exits off the top of the frame.

FADE OUT

FADE IN

INT. C-MOUSE’S OFFICE

C-Mouse’s office feels ready to burst. The walls are lined with shelves overflowing with stacks of comic books and graphic novels. The only gap in wall shelves is a door off to the side, with the door covered in a motivational poster of an anthropomorphic comic book dressed in a superhero costume bombastically punching through a tree branch. Printed on the poster is “COMICS COMPLETE COMPLETELY”. Even the floor is covered in stacks of comics and graphic novels. Walkways are visible, snaking through the room, all branching out from an L-shaped desk at the center of the room. The desk in the center of the room is made up of a writing table and drawing table connected at right angles. Currently C-MOUSE sits at the drawing table speaking with K-MOUSE seated at the writing desk.

FADE IN SLOWLY TO A CS OF A STACK OF COMIC BOOKS ON C-MOUSE’S DESK

K-MOUSE
(voice-over) “Okay, so we open in the Space Museum. Then what. Like we know we need to get to the big cosmic problem that draws everyone together.”

C-MOUSE
(voice-over) “The unraveling of space-time?”

K-MOUSE
(voice-over) “Right, but how do we get there? And where is everybody when this happens? Is it right after Beta Dog forms the Cosmic League or have they been around awhile.”

C-MOUSE
(voice-over) “A while. This is like their final story, so they have been around awhile.”

K-MOUSE
(voice-over) “A twilight of the gods scenario. So years then?”

C-MOUSE
(voice-over) “Yup. Years.”

PAN OUT FROM STACK OF COMICS TO MS OF C-MOUSE’S DESK

C-MOUSE sits at his desk, in front of the drawing desk covered with sheets of paper, pens and pencils. He swivels his chair to face K-MOUSE sitting at the writing desk with an open laptop.

K-MOUSE
“Well if that’s the case, what have they been doing all these years? Because, this whole time I assumed it was months later.”

C-MOUSE
“No way. We have a list of over a hundred villains. That is a maniac pace of crime if they have defeated that many villains in a few months. Plus Beta Dog and Sigma Badger are married and have a kid.”

K-MOUSE
“True. I don’t know why I thought it was only a few months into the story. Go on.”

C-MOUSE
“We’ll figure out more of the how once we get the basic plot plotted out.”

K-MOUSE
“Okay. So how does space-time get broken?”

C-MOUSE
“Does it need to be space-time. Couldn’t it be something else like alien invasion. I’d love to draw a bunch of space battles. Maybe those spikey living suits.”

K-MOUSE
“No. It needs to be space-time.”

C-MOUSE
“Well, the only time powered villains are the Anachist and Time Laird.”

K-MOUSE
“Not exactly Time Lairds thing, and he’s not technically a villain anyway. The Anachrist it is.”

C-MOUSE
“He’s kinda klutzy, not exactly a master villain and his schemes usually never work out.”

K-MOUSE
“Right, like what if something he did breaks the space-time continuum. Not a planned thing but a screw-up.”

C-MOUSE
“Okay but how does one break the space-time continuum. It’s an abstract thing.”

K-MOUSE
“Good point.”

They think a moment until a notion occurs to K-Mouse

K-MOUSE
“Let’s work through this. Extend it out. So we need something to break. So how do things break.”

C-MOUSE
“They’re hit.”

K-MOUSE
“Right. Hit…or when something collides with it.”

C-MOUSE
“True. Hitting and collision.”

K-MOUSE
“Isn’t he always stealing things? The Anachrist.”

C-MOUSE
“Okay, I see where you’re going with this. Yes he does.

K-MOUSE
“And what if something he steals breaks the space-time.”

C-MOUSE
“Sure but what would he steal?”

K-MOUSE
“Well his time-doors are only person size…wait…what if he tried to steal something larger than his time-doorway.”

C-MOUSE
“And it collides with the edge of the time-door cracking it, cracking space-time.”

K-MOUSE
“I like it. It totally fits his personality. So what big thing would he try to steal. A pyramid, a tomb, a dinosaur, a train? I’d steal a dinosaur if I could.”

C-MOUSE
“Really. What kind.”

K-MOUSE
“Triceratops.”

C-MOUSE
“Really, a triceratops.”

K-MOUSE
“I like the horns.”

C-MOUSE
“Okay, but back to the story. What if he stole a boat.”

K-MOUSE
“A boat? Those are tiny.”

C-MOUSE
“Not the Titanic.”

K-MOUSE
“Oh… So we do a riff on it striking that iceberg but instead our twist is that this C-Grade super villain tries to steal it but it strikes the edge of his portal, cracking the space-time continuum dooming the universe.”

C-MOUSE
“So he is the cause of the Titanic sinking, and also destroying the universe. The guy no one takes seriously ends up being the most destructive.”

K-MOUSE
“I like it.”

C-MOUSE
“Me too.”

K-MOUSE
“Work up some drawings, and I’ll rough out some plot.”

C-Mouse swivels to face his drawing board and starts to draw. K-Mouse starts to type. After a moment, a phone hidden in the piles of comics on the bookcase next to the desk RINGS knocking over a pile of comics. C-Mouse turns and walks over to the phone. He answers the phone.

C-MOUSE
“C-Mouse here. (pause) Yes. Sure, he’s here. What’s up.”

C-Mouse listens then puts his hand over the phone’s receiver to ask K-Mouse a question.

C-MOUSE
“A-Mouse says Y-Mouse is calling a meeting tonight and she’s going to get some food. What do you want.

K-MOUSE
“Another all-nighter?”

C-MOUSE
“Appears so.”

K-MOUSE
“Are we in trouble?”

C-MOUSE
(into phone) “K wants to know how bad it is?” (listens then talks to K-MOUSE) “She doesn’t know.”

K-MOUSE
“That answers nothing. Where are they going then?”

C-MOUSE
(into phone) “Where are you going?” (listens then talks to K-Mouse) “The Gutenberg Bagel”

K-MOUSE
“Oh, then definitely the Kirby Special.”

C-MOUSE
(into phone) “He’ll have the Kirby and I’ll have the Eisner. Okay. Good. We’ll be there. Bye.”
C-Mouse hangs up the phone. He walks over and sits back down at the drawing table.

C-MOUSE
“Okay, here is what I was thinking.”

PAN OUT

C-Mouse leans over and hands a drawing to K-Mouse

K-MOUSE
“Nice. What else you got?”

C-Mouse shows K-Mouse some more drawings.

FADE OUT

from the studio: April 4th, 2022

today in the studio

new painting: “Three Overlapping Ideas in a Process of Taking Flight” by Thomas Typewriter

paintings
Three Overlapping Ideas in a Process of Taking Flight” by Thomas Typewriter (watercolor and gesso on three stretched canvas panels)

today in the studio: March 21, 2022

today in the studio

today in the studio: March 20th, 2022

today in the studio

today in the studio: March 17th, 2022

today in the studio

a new script: “The Great Works Project: Season Four, Episode Four” by Thomas Typewriter

scripts, The Great Works Project scripts

———–<.thom.>———–

THE GREAT WORKS PROJECT

a puppet play in many parts

Season 04, Episode 04

By Thomas Typewriter

(c) 2022 Thomas Typewriter

———–<:type:>———–

FADE IN TO BLACK

From the bottom center of the screen scrolls up the following text: “04-04”. It continues upward, pausing briefly in the center, and exits off the top of the frame.

FADE OUT

FADE IN

INT. THE DEEPER HALLWAY, EVENING
A hallway of wood paneling, soft fluorescence, and frosted glass spreads out before us as we view the Deeper or the third floor of offices under the Alphabet Mice Writer’s Room. Stairwells bookend the hallway with A-Mouse’s, S-Mouse’s, D-Mouse’s, F-Mouse’s, G-Mouse’s, H-Mouse’s, J-Mouse’s and K-Mouse’s offices in between.

MS OF S-MOUSE’S OFFICE DOOR

The door opens and out walks A-Mouse. She walks down the hallway to D-Mouse’s door.

PAN TO FOLLOW

A-Mouse KNOCKS on the door of D-Mouse’s office.

D-MOUSE
(off-camera) “Come in.”

A-Mouse enters D-Mouse’s office.

CUT TO SHOT OF D-MOUSE’S OFFICE FROM THE DOORWAY

D-Mouse’s office is like a dance studio with a delicatessen in the back. The left and right side walls are floor to ceiling mirrors with a dancer’s beam across the middle. A deli counter with display case fills the majority of the back wall except for a space to the left for an entryway to the deli and doorway. The doorway is solid wood. It leads to D-Mouse’s apartment. On the doorway is a poster of an anthropomorphic donut hanging from a tree branch with the following caption: “Don’t discount determination”. The entire space is brightly illuminated by rows of recessed ceiling lights. The deli counter’s lights, by contrast, are turned off. On top of the deli counter’s display case is a CD Stereo. As A-Mouse enters the office, she finds D-MOUSE stretching his legs on the beam.

D-MOUSE
“What brings you to my humble studio?”

A-MOUSE
“Y-Mouse is calling an all-nighter so I am on food. You want anything.”

D-MOUSE
“No thanks. I’ll make myself something later.”

A-MOUSE
“Okay.”

A-Mouse leaves. D-Mouse goes over to the stereo and presses play. A LOW RUMBLING CHANT emerges from the speakers. He starts to spin on one leg. He spins and spins.

CUT TO HALLWAY

A-Mouse reemerges from D-Mouse’s office and walks to the next office. She KNOCKS on the door to F-Mouse’s office..

F-MOUSE
(off-camera) “Come in.”

A-Mouse opens the door and enters.

CUT TO SHOT OF D-MOUSE’S OFFICE FROM THE DOORWAY

The inside of the office is dominated by a large table covered in various books and maps. A globe stands to the side of the table. The walls of the office are wooden shelves covered in a selection of books, maps, anatomy diagrams of mythical beasts, and illustrations of various fey folk. F-MOUSE stands at his desk looking through a magnifying glass at stills from the Patterson Bigfoot film. A-Mouse enters.

F-MOUSE
(without looking up) “What is so important that you disturbed my research.”

A-MOUSE
“Y-Mouse is calling a writer’s conference.”

F-MOUSE
(looks up) “That is serious. I take it you have been tasked with retrieving our food orders.”

A-MOUSE
“Yes.”

F-MOUSE
“And where are you going?”

A-MOUSE
“Guttenberg’s Deli.”

F-MOUSE
“A little pedestrian, but it will have to do. I’ll take a Farro salad.”

A-MOUSE
“Farro Salad? Nothing else.”

F-MOUSE
“If I wanted more I would have said more. Just a Farro Salad if you please.”

A-MOUSE
“Okay, Farro Salad.”

A-Mouse writes it down and exits.

CUT TO LS OF HALLWAY

She enters, reemerging a moment later, then walks to the next office, G-Mouse’s. She KNOCKS on the door.

G-MOUSE
“Come in.”

CUT TO OVER SHOULDER SHOT OF G-MOUSE’S OFFICE

G-Mouse’s Office has a look very similar to a greenhouse. Frosted glass panels make up the left and right walls. Poles run along the sides filled with many plants in hanging planters. Under the hanging plants are wooden greenhouse benches. The stage-right side has a a collection of gardenia seedlings in small pots, a few bags of potting soil, and a few tools. One can see that G-Mouse is in the process of replanting the seedlings into larger pots. The stage-left bench bears a few finished replanted seedlings in their larger pot. G-MOUSE, dressed in a smock and wearing gardening gloves, is in the process of moving some more larger pots over to the stage-right bench.

G-MOUSE
“Hey A-Mouse. What’s up.”

A-MOUSE
“I’m going on a food run. What would you like?”

G-MOUSE
“Where you going?”

A-MOUSE
“The Guttenburg Bagel”

G-MOUSE
“Ok. I’ll have a Gyro and Garden Salad.”

A-MOUSE
(writing in notepad) “Got it.”-she writes it down.

A-Mouse turns to leave.

G-MOUSE
“Could you make sure you shut the door on your way out. The seedlings are sensitive to the cold when I transplant them.”

A-MOUSE
“Absolutely.”

A-Mouse exits.

CUT TO LS OF HALLWAY

She reemerges and walks to H-Mouse’s office. She knocks on the door.

H-MOUSE
“Hold on, I’m not decent.”

A-MOUSE
“I don’t need to come in, I just need to know what you want to eat tonight.”

H-MOUSE opens the door dressed in a Santa’s costume and holding a jack o’lantern.

H-MOUSE
“Why, is something going on?”

A-MOUSE
“Wait. Why are dressed like that.”

H-MOUSE
“Like what?”

A-MOUSE
“The suit and the pumpkin.”

H-MOUSE
“Oh, this. I’m stuck on idea and doing some research to hope I can get unstuck.”

A-MOUSE
“What’s the idea?”

H-MOUSE
“The King of Mars comes to earth.”

A-MOUSE
“Sounds interesting.”

H-MOUSE
“Yeah, it is suppose to be a holiday story but I can not decide what holiday. You got any ideas.”

A-MOUSE
“Oh no. I’m stuck myself. In fact I was trying to unstuck myself when Y-Mouse called.”

H-MOUSE
“What was your story idea and also what did Y-Mouse want.”

A-MOUSE
“Y-Mouse is calling an all-nighter abnd wants me to get food orders.”

H-MOUSE
“Hoagie with cheese and chips.”

A-MOUSE
“Got it.”

H-MOUSE
“What was your story idea?”

A-MOUSE
“There was a brother and sister and the sister was in a band. And that is where I got stuck. I can see them clearly and how it opens but I can not see what happens after that.”

H-MOUSE
“Maybe we should help each other out. Compare notes.”

A-Mouse smiles.

A-MOUSE
“Serious.”

H-MOUSE
“Sure. It couldn’t be any worse than this suit. It is itchy like crazy. I’m dying in here.”

A-MOUSE
(giggles) “Sure, I’d like that.”

H-MOUSE
“Awesome. Let’s see how late this meeting goes and then we’ll figure out a time to get together.”

A-MOUSE
“Got it.”

H-MOUSE
“Well, I need to change.”

A-MOUSE
“And I have to get the other orders.”

H-Mouse closes the door. A-Mouse does a little skip of joy and moves down the hallway.

J-MOUSE
(off-camera) “You getting food?”

CUT TO SHOT OF H-MOUSE’S AND J-MOUSE’S OFFICE DOORS

J-Mouse is leaning in the door to his office, looking at A-Mouse.

A-MOUSE
“You saw that?”

J-MOUSE
“Oh yeah.”

A-Mouse’s expression shifts to embarrassment.

J-MOUSE
“It’ll be our secret and good luck.

A-MOUSE
“Thank you.”

J-MOUSE
Where you going?”

A-MOUSE
“Guttenberg Bagel.”

J-MOUSE
“Bagels and lox.”

A-Mouse writes the order down. She then walks past J-Mouse.

A-MOUSE
“Got it.”

J-MOUSE
“And some of those potato squares.”

A-MOUSE
“Potato squares, got it.”

J-MOUSE
“Better make it a triple order. I know people are going to want me to share.”

A-MOUSE
“Triple potato squares.”

AS A-MOUSE REACHES THE EDGE OF THE FRAME THE CAMERA PANS LEFT SO AS TO FRAME J-MOUSE’S OFFICE AND K-MOUSE’S OFFICE.

J-Mouse goes back into his office and shuts the door. A-Mouse KNOCKS on K-Mouse’s door. There is no response. She tries again with still no response. Opening the door, she peeks inside.

A-MOUSE
“Hmmm.”

She closes the door and walks over to L-Mouse’s office. KNOCK KNOCK go her knuckles on the door.

L-MOUSE
“It’s open.”

A-Mouse walks inside, shutting the door behind her.

A-MOUSE
(off-camera) “Have you seen K-Mouse?”

FADE OUT

today in the studio: March amazing

today in the studio